Sarah Gosling, Dogmeat, 2017 oil on canvas, 115 x 84 cm, available

Sarah Gosling, Dogmeat, 2017
oil on canvas, 115 x 84 cm, available

Sarah Gosling, Games, 2017 oil on canvas, 76 x 91 cm, available

Sarah Gosling, Games, 2017
oil on canvas, 76 x 91 cm, available

Sarah Gosling, Underdogs, 2017 oil on panel, 60 x 50 cm, available

Sarah Gosling, Underdogs, 2017
oil on panel, 60 x 50 cm, available

Sarah Gosling, Echo, 2017 oil on canvas, 115 x 91 cm, available

Sarah Gosling, Echo, 2017
oil on canvas, 115 x 91 cm, available

Sarah Gosling, Overseer, 2017 oil on canvas, 76 x 91 cm, available

Sarah Gosling, Overseer, 2017
oil on canvas, 76 x 91 cm, available

Sarah Gosling, Cradled, 2017 oil on panel, 60 x 50 cm, available

Sarah Gosling, Cradled, 2017
oil on panel, 60 x 50 cm, available

Sarah Gosling, Pests, 2017 oil on canvas, 55 x 66 cm, available

Sarah Gosling, Pests, 2017
oil on canvas, 55 x 66 cm, available

Sarah Gosling, Immoral oil on wood, 20x25cm, 2016

Sarah Gosling, Immoral
oil on wood, 20x25cm, 2016

Sarah Gosling, Operation 2, oil on canvas, 91 x 71 cm, 2016

Sarah Gosling, Operation 2,
oil on canvas, 91 x 71 cm, 2016

Sarah Gosling, Obtrusion oil on canvas, 61 x 61 cm, 2016

Sarah Gosling, Obtrusion
oil on canvas, 61 x 61 cm, 2016

Sarah Gosling, Transient oil on canvas, 61 x 51  cm, 2016

Sarah Gosling, Transient
oil on canvas, 61 x 51  cm, 2016

SARAH GOSLING

Experimentation plays a vital role in my painting. I enjoy experimenting with pictorial space, composition and texture. Surface is very important to me and I employ a vast range of paint applications, from transparent washes and loose brush strokes, to impasto palette knife work and tightly rendered detail. My canvases are dominated by human and animal figures in varying states of interaction, some neutral but recurrently in conflict. The content is driven by a fascination with a multitude of different relationships, between humans and interspecies. I strive to create a visual language through painting which stimulates, engages and unsettles the viewer. 

 

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